Rondooz is a Spain-born atelier guided by the artistic authorship of an Iranian visual artist.

Each garment is conceived, designed, patterned, and constructed within the atelier;
not as fashion in repetition, but as an original work.

The atelier brings together dozens of experienced artists and master makers, each devoted to a specific discipline:

garment design, tailoring, textile painting, stone application, embroidery, and dimensional garment embellishment.

Each hand that enters the process belongs to a practiced specialist.
Each stage is carried by skill, judgment, and the discipline of its own craft.

The body becomes the moving space of the artwork.
Every piece stands as a singular creation, defined by
authorship, material integrity, and disciplined craftsmanship.

Rondooz does not follow seasons;
It develops works.

Every Rondooz work is hand-painted directly onto fabric, establishing the garment as a primary canvas.

The painting method developed for Rondooz is specific to textile work.
The color, medium, and application process are selected for lasting stability on fabric.

With basic care, the painted surface is designed to remain fixed in volume,
density, texture, and color;
allowing the garment to be worn over time without losing the integrity of the artwork.

Hand embroidery and stone applications are executed individually, building sculptural depth and surface character.

Each stone, bead, and three-dimensional element is studied before placement.
Its material, scale, shape, and exact point of attachment are chosen with intention.

The embellishments are stitched one by one by hand, often with multi-layer stitching,
so they remain firmly held to the textile surface.

They are placed where they can create visual presence without disturbing the body; allowing the wearer to sit, move, and inhabit the garment with freedom.

In selected works, antique Gobelin fragments are integrated into the structure of the piece.
Here, history is not displayed; it is reactivated.

The Gobelin textiles used in One of One works are antique French pieces,
each existing as a single surviving fragment.

Before becoming part of a Rondooz garment, each Gobelin is carefully revived, restored, and restructured according to the design and architecture of the piece.

The historic textile is reinterpreted, often transformed through paint,
and allowed to exist again within a contemporary artistic context.

Some Rondooz works cannot be repeated because the antique Gobelin used in them existed only once in the world.

From structural tailoring to final finishing, each stage is completed
with rigorous attention to proportion, precision, and material quality.

No industrial reproduction,
No delegated artwork,
No printed reproductions,
Every surface is hand-painted,
No duplication.

Each Rondooz piece carries the physical presence of the artist’s hand.